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Deadline for applications is Tuesday 18 February to attend our free art-writing course, in collaboration with Bergen Kunsthall and Office for Contemporary Art Norway. The movement that is traditionally understood as white and privileged was more racially mixed than is commonly accepted.
London between the wars was an uneasy home to a sizeable Black community; the working class harboured in the East End, where people from Africa, the Caribbean and Asia took up arduous employment at the shipping docks: a hub of the UK port economy, built in the early s to receive steam ships importing goods made by enslaved people in the West Indies. James and jazz musician Florence Mills, whose performance in the all-black musical revue, Blackbirds , piqued a special interest in British painter Edward Burra.
A welcome guest was the ex-valet and aspiring law student Patrick Nelson, who was born in Kingston, Jamaica, and journeyed to the UK for the second time in March , settling in Chelsea. It was not unusual at the time for Black Londoners with minimal options for employment and housing to work as models, posing and pandering, when required, for portraits.
This exchange, albeit uneven, is widespread in 19th- and 20th-century portraiture, where the Black model is subject to hypersexualization and exotification, relegated to the role of muse without a name. In the case of Grant and Nelson, a romance unfolded β neither officially pronounced nor completely hidden β in the studios and social clubs of metropole London; it would be documented through a lifetime of mailed love letters. The two exchanged notes of poetry, news and directions to meeting places that could offer some seclusion.
We must hope. Motivated by his quest for education, Nelson joined the British military in , only to be captured by German forces and detained as a prisoner of war for more than four years. Along with other sick and wounded POWs, Nelson was returned to London in , where his ill health made him vulnerable to a nervous breakdown, forcing him to leave for Jamaica in Nelson and Grant continued to exchange infrequent letters about film, art and their lives.