Famous for its majestic Reclining Buddha, Wat Pho is probably the most extraordinary temple complex in Bangkok. Having learned from my mid-afternoon experience at Wat Arun I arrived early. I must have looked a bit forlorn on the street because a friendly soldier ushered me inside with a smile, and a woman pointed me to a not yet open ticket booth. It turned out that I was able to buy a ticket and was directed into the complex to wander around in grand isolation.
There is an extraordinary stillness to this otherworldly place in the early morning, the bright sun illuminating the dazzling tiles of the temple roofs. It is a big place though, with lots of hidden corners and out of the way places, so I moved further off to where the tranquility was still intact. This allowed me to search out one of the most intriguing parts of the temple complex, a building where the walls are covered in illustrations of traditional Thai medicine and massage.
Wat Pho is reputed to be the birthplace of Thai massage, and is home to the national centre for traditional medicine, of which massage forms a central part. Dotted around the complex are pavilions that house a massage school. In a city full of massage parlours, of varying quality and legitimacy, Wat Pho is the epicentre of all things massage.
On a steaming hot day the air conditioned massage pavilions were a real temptation. I wandered past four huge Royal Chedi, Thai-style stupas, covered in bright tile mosaics. There are 92 chedi in the complex, the Royal Chedi are just the most impressive. They are surrounded by low buildings that house dozens of Buddhas.
Wat Pho is home to a working monastery and you can see Buddhist monks throughout the complex. In the morning many were at prayer, others were busy blessing the many visitors to the temples. It is an intriguing mix of old and new. Orange-robed monks ministering to those in modern clothes makes for a striking contrast. Central to the monastery is the huge ordination hall, which, while not at the geographic centre of the complex, is clearly its central feature after the building which houses the Reclining Buddha.
