When reflecting on these concepts we visualize how ideology acts and what are crucial elements. Ao tensionar reflexivamente os conceitos visualizamos como a ideologia atua, quais seus elementos fulcrais.
Ideology carries the immanent notion of doctrine, set of ideas, beliefs and concepts, and seems to be determined to convince people of veracity, when, however, it serves a certain subterfuge of power. An ideological matrix is routinely constructed in a manner apparently disconnected from its material condition, and yet it persists in regulating the relationship between what is most subtle and basic in life, including the great ideals that dominate and motivate the masses.
Ideologia , besides a song, is the album title. In this aspect, according to the dialectical tradition, we can say that ideology is immanent, standing between the transparent and the opaque, the material and the immaterial, the possible and the impossible, and even seems to be present in everything that points to something beyond a dualistic way out; ideology operates an important articulation that affects everything and everyone and everywhere.
This first point, however, seems to be commonplace among philosophy thinkers and scholars. Then, how to build a perspective that allows us to cross the obvious and get out of an already overused discussion about ideology? How to move towards a more interesting reading of the foundation of ideology? In this article, we propose to develop a modality of criticism that intends to discern the tendency that is not recognized in the official reality, through its ruptures, gaps, and lapses.
Instead of directly evaluating the adequacy or veracity of the different notions of ideology, we want to understand the multiplicity of determinations as an indicator of different concrete situations. Doing so, we announce a reading crossed by Lacanian psychoanalysis and a Hegelian historical-dialectical transposition of the problem to its own solution.
