The imposing sets create a dark and ominous environment; a jungle of cables spills across the stage giving way to larger-than-life fantastical props. A massive panel of tangled tubes and oxidised mirrors flips and turns in the centre reflecting alternatively the fantasy and the nightmare on stage. The dancers move incessantly across the set as it re-shapes, executing random steps in space, all excellent in the pliant virtuosic choreography.
Indisputably, but the appeal lies less in its ideas or emotional impact and more in the weird narcotic beauty and Alice in Wonderland wittiness. In he established his own company choosing his childhood nickname Hanneton Junebug as the title for the informal ensemble. In he premiered his one-man show Raoul in Belgium followed by a tour in France and the UK including 10 nights at the Barbican.
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