Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume. A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.
A collection exploring the intersections of gender and religion in post-secular knowledge production and visual culture. Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the s and today.
On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities. PhD and postdoc supervisors from Europe and beyond interroga te the existing formal educational pathways for artistic and practice-based research.
A meditation on sound, this book invites us to listen through the nose and open the mind to the musical potential in unpleasant odors. If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse? In , Richard Sennett delivered six lectures about this relationship, and issued a call to action that remains relevant today.
Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises. First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.
