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Floris M. And not least for this reason, he was one of the most innovative photographers of the past six decades. Ever since he completed his education at the Bavarian State School of Photography in , he had been fascinated by the idea of brushing photography against the grain and using it to invent new visual worlds. That is why he enrolled for two years at the Berlin University of the Arts with Heinz Hajek-Halke, a pioneer of experimental photography in the s.
Combined to form a room-filling installation, they were the sensation of the Photokina picture shows of For half a century, he expanded its expressive possibilities to such an extent that it became a sui generis medium within photographic processes. His most significant contribution to this were his »Nachtbilder« night pictures , realized since The grasses, ferns and plants of varying height and strength, the woods and stones scattered on the ground and the insects crawling between them throw the intense flash light back onto the light-sensitive layer, thus painting fireworks of light and dark, black and white and an infinite variety of grey tones.
Just as plants in nature live from light, these spontaneous creations are direct creatures of a singular artistic form of "photosynthesis". Since , its archive has been part of the photographic collection of the Moritzburg Foundation in Halle. It was a very personal, imaginary museum of objects from natural-historical, technical and scientific collections in the form of photograms, which were surprising in that they combined the dematerialising magic of camera-less photography with thoroughly documentary qualities.
He was also its most important historian. Together with his wife, the conceptual photographer Renate Heyne, he published an international standard work in with the volume »Das Fotogramm in der Geschichte des Jahrhunderts« The Photogram in the History of the 20th Century. This was not only the first significant collection of photographs by a great European photographic pioneer to be brought back to Europe from America, it was also the first time that a French and a German museum joined forces to make a joint acquisition.
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