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Every year around this time, film critics, movie-lovers, artists and producers descend on Park City, Utah for the storied Sundance Film Festival. From Jan. Courtesy of Sundance Institute. The premise: "Frustrated by scrolling dating apps only to end up on lame, tedious dates, Noa takes a chance by giving her number to the awkwardly charming Steve after a produce-section meet-cute at the grocery store. During a subsequent date at a local bar, sassy banter gives way to a chemistry-laden hookup, and a smitten Noa dares to hope that she might have actually found a real connection with the dashing cosmetic surgeon.
Cave and cinematographer Pawel Pogorzelski "Midsommar" take obvious delight in the big swings Stan is making as dreamy plastic surgeon Steve. While Noa anchors the emotional core of the story and plays the straight man, so to speak , the visual language is all Steve; glossy and appealing and wrong. In a perfect world, this review would say much, much more about "Fresh," from Jojo T. Have fun. Dir: Mimi Cave. A widower, he conceals the condition from his grown son, spends an evening of debauchery with a bohemian writer in Brighton, and uncharacteristically avoids his office.
But after a vivacious former co-worker, Margaret, inspires him to find meaning in his remaining days, Williams attempts to salvage a modest building project from bureaucratic purgatory.
Nighy is magnetic, heartbreaking and utterly unforgettable. Movies have become classics for less. Working from an elegant screenplay by Nobel Prize-winning novelist Kazuo Ishiguro, Hermanus mirrors Nighy's approach in his filmmaking choices. His is a light touch, the film laced with silence and stillness. Yet those wordless moments arrive in a multitude of shades: stillnesses borne of shock, or weariness, or comfort; the silence of absence, of hesitation, of snow falling.
There's so much space, but no emptiness. It's a film that leaves room for growth inside itself, like the space inside a bottle of soda. Hermanus gives his characters and his audience room to breathe, lest they burst. This is especially true of supporting player Aimee Lou Wood, giving a performance that would be a standout in a movie that didn't also include Nighy at his best. But this is an adaptation in the truest sense: an exploration and examination of source material clearly cherished by its adaptors, and enriched by the reverence and insight they bring to the table.