Lebhaft, nicht zu schnell Lebhaft und sehr markirt Ruhiges Tempo, mit zartem Ausdruck Lebhaft, sehr markirt. Charlotte Bray b. Her many commissions include an orchestral work for the Proms, song cycles for the Aldeburgh, Aix, Verbier and Oxford Lieder Festivals, chamber operas and a variety of chamber works. Bray says of her work:. Taking themes inherent in the Schumann and Kurtag: night, sun, clouds, cycles, anxiety and love to inspire as did Schumann the imaginary world of the piece.
The final movement was approached more freely, although as the base I inserted a chord structure consisting of an ascending and then descending bass line, which repeats in transposed variations throughout.
The Fibonacci sequence, which attracted Kurtag, plays a part in organising chords, intervals, rhythms and structures. Colin Matthews b. Colin progresed to Nottingham University where he read classics and subsequently composition. I was delighted by their performance of my Three Interludes a few years back, and offered to write more for them β here are the first two of what I hope will grow into a group of Miniatures, one of them quite dark, the other more lyrical.
Andante Menuetto Rondeaux: Allegretto. However, a few days earlier he had noted composing 12 duos for French horns much less complex music while playing skittles. The alleged skittle-alley provenance of the Trio was added by later publishers. Franziska came from a family with whom Mozart was close friends. Her father was a distinguished professor of botany after whom two genera of Central American plants were named Jacquinia and Jacquinella ; her brother Gottfried had the rare distinction of having Mozart compose two Lieder for him with the express purpose of Gottfried passing them off as his own work.
The piece was originally published by Artaria in with the clarinet part also given as an alternative arranged for violin; it is usually performed in its original form. All three movements, unusually, have similar gentle tempi which bring out the lyrical possibilities of both clarinet and viola. In contrast to the underlying gentle tempo, the opening dotted crotchet has a spectacularly rapid written-out turn which squashes four hemi-demi-semiquavers 64 th notes into its final semiquaver 16 th note.
