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Exhibition will be open each day between 7 pm - 10 pm. Are trails of dematerialised bodies at all possibilities? How to see, touch, taste or smell their trails if the bodies are absent? Do non-bodies leave trails? Is this not the world of metaphysics?
These and similar questions are addressed by the exhibition which presents actual, material and bodily objects and sounds when we see in the display case two pairs of worn, rather similar women shoes, and hear the sound of a woman's walking every so often interrupted by a woman's speech. What we see and hear invites other questions: Who are the women only present as traces left in the shoeprints or the echo of a shoe striking the floor? What are they like? What do they want, think, feel?
Where have they goneโฆwalked? What have they seen and experienced? Njatin exhibit the portraits of women expressed through personal, sensorial, emotional and intimate stories. They construct these stories through minimal use of elements โ a pair of shoes in wooden frames under the glass of a display, recordings of a woman walking and her encounters with other women in the feminist community.
Lela B. Njatin makes a portrait of her mother and herself. They both wear similar comfortable shoes because they symbolically and actually made a long sojourn together - the artist's shoes are less worn and a bit more fashionable.
When not exhibited she still wears them. The portraits discuss a complex relationship between a mother and a daughter. Her walking is trapped in a snare, it rigidly resonates against the floor, echoes unstoppable. A woman was hurt and shouldered to the margin of her society. Both works are facets of contemporary art building on the tradition of the European historical avant-garde and the global neo avant-garde and conceptual art practices in the second half of the 20th century.